Xenharmonikon is a peer-reviewed online journal dedicated to experimental intonational practices. It follows in the spirit of the original Xenharmonikon founded by John Chalmers to provide a forum for people working in non-12-tone equal temperament tunings by presenting articles and reviews on tuning theory, composition, instrument building, software development and information about tuning-related events around the world. Xenharmonikon welcomes both academic and non-academic contributions to all aspects of microtonal music. Its purpose is to document and explore in-depth the newest approaches to the field and present them to the community at large.
The current editorial board consists of:
Bill Alves [United States]
Donald Bousted [United Kingdom]
John H. Chalmers [United States]
Kraig Grady, Editor. [Australia]
Lucija Kordić, Web Designer [USA/Croatia]
Terumi Narushima, Editor [Australia]
Juhani Nuorvala [Finland]
Gabriel Pareyon [Mexico]
Margo Schulter [United States]
For questions , please contact xenharmonikon[at]gmail[dot]com.
This journal may accept forms of donations, cash advertising, sponsorship, paid insertions or other forms of compensation.
Compensations and donations received will never influence the content, topics or posts made in this blog. All advertising is in the form of advertisements generated by a third party ad network. Those advertisements will be identified as paid advertisements.
The owner(s) or board are not compensated to provide opinion on products, services, websites and various other topics. The views and opinions expressed on the journal are purely those of the original authors only. The endorsement of products by authors of any product or services is based on their own individual expertise and not influenced by any form of reimbursement. Any product claim, statistic, quote or other representation about a product or service should be verified with the manufacturer or provider.
This journal does not contain any content which might present a conflict of interest.