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    An Exploration of a 3 Limit Scale with 5 Limit notes as Accidentals

    Diahemitonic Tonality: A Tension–Release Quarter-Tonal Harmonic System

    Evolution of my Music:

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    Mandala 10 was performed in the Tate Gallery London in 2011 as part of UK MicroFest organised by Don Bousted. It was performed in a workshop space out of concern for valuable paintings and relayed live via CCT to a concert audience in the main gallery.

    An Extended Interview with Greg Schiemer

    An Interview With Warren Burt

    Portrait of Juhani Nuovala by Maarit Kytöharju

    An Interview with Juhani Nuorvala

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    Review-Jules Reidy: Clerestory

    Review-Jon Catler: The Young Mountain of the East

    Photo of Cris Forster

    CD Review: Cris Forster

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    Picture of Clarence Barlow by Harald Fronzeck (©1996)

    Blue by sound: the microtonal legacy of composer and theorist Clarence Barlow

    A COUNT OF CONSTANT STRUCTURES – with 4 distinct superparticular 7 limit steps with sizes between 5/4 and 126/125 that span the 7 limit lattice

    Easley Blackwood Jr. 1933-2023

Simon Kaplan

Simon Kaplan is a United States-based French composer, music theorist and instructor. His oeuvre, published by BabelScores, encompasses a diverse range of solo, chamber and electronic pieces premiered by esteemed performers across Belgium, Denmark, France, Japan and the United States. From 2017 to 2018, he was the composer and orchestrator of the Great Synagogue of Europe. Presently, he serves at the University of North Texas as a teaching assistant and fellow. In 2021, the then-young scholar invented diahemitonicism, a pioneering quarter-tonal composition system which has become a defining feature of his musical style. In 2024, he developed the kaplanophone, a quarter-tonal virtual keyboard instrument with an inharmonic timbre playable via a pair of MIDI controllers equipped with two pedals. In 2025, he devised a set of nine temperaments for the quarter-tone scale: one Ifzarnean, six meansemitone and two circular ones designated Kaplan I and II. In 2026, he created the kaplanophony orchestra, a collection of fourteen quarter-tonal virtual instruments derived from the kaplanophone and programmed by means of additive, subtractive, granular and FM synthesis. The microtonalist has lectured on his innovations at venues such as the Royal Flemish Conservatoire of Brussels, Aristotle University of Thessaloniki, Regional Conservatoire of Lille, Departmental Conservatoire of the Choletais, Mozarteum University of Salzburg and Lithuanian Academy of Music and Theatre. His articles have been published in the journals Tempo and Xenharmonikon as well as in the Mikrotöne: Small Is Beautiful series of symposium proceedings. Kaplan earned his Master of Arts in Composition from the Royal Flemish Conservatoire of Brussels in 2022, where he studied under Peter Swinnen. He furthered his academic pursuits in Claude Ledoux’s class at the Royal Conservatoire of Mons, graduating with a Master of Music in Compositional Didactics in 2023. He also benefited from the teaching of Alan Belkin, Henry Fourès, Dimitri Papageorgiou and Calliope Tsoupaki through private lessons and masterclasses. Currently, he is pursuing doctoral studies at the University of North Texas under the guidance of Andrew Chung, Sungji Hong, Panayiotis Kokoras, Jon Nelson and Kirsten Soriano. He expects to receive his Doctor of Philosophy in Composition with a Minor in Music Theory in 2027.

Simon Kaplan

Diahemitonic Tonality: A Tension–Release Quarter-Tonal Harmonic System

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