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    Mandala 10 was performed in the Tate Gallery London in 2011 as part of UK MicroFest organised by Don Bousted. It was performed in a workshop space out of concern for valuable paintings and relayed live via CCT to a concert audience in the main gallery.

    An Extended Interview with Greg Schiemer

    Larry Polansky, Oct 16, 1954 – May 9, 2024 – An appreciation

    D-T major mode. Color version of Figure 3-2

    TriTriadic Scales with Seven Tones

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    Mandala 10 was performed in the Tate Gallery London in 2011 as part of UK MicroFest organised by Don Bousted. It was performed in a workshop space out of concern for valuable paintings and relayed live via CCT to a concert audience in the main gallery.

    An Extended Interview with Greg Schiemer

    An Interview With Warren Burt

    Portrait of Juhani Nuovala by Maarit Kytöharju

    An Interview with Juhani Nuorvala

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    CD Review-The First 50 Years

    Parallaxis Forma cover on another timbre

    Translucent Harmonies: Catherine Lamb, Kristofer Svensson

    Cover to Lysis By Amy Brandon

    Natural Sounds: Amy Brandon

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    Picture of Clarence Barlow by Harald Fronzeck (©1996)

    Blue by sound: the microtonal legacy of composer and theorist Clarence Barlow

    A COUNT OF CONSTANT STRUCTURES – with 4 distinct superparticular 7 limit steps with sizes between 5/4 and 126/125 that span the 7 limit lattice

    Easley Blackwood Jr. 1933-2023

Paul Johnson

Paul Johnson (b. 1997) studied composition with David Vayo and Kyle Shaw, and has composed chamber pieces based on large-scale processes structured improvisation, and game rules. He holds a degree in mathematics and physics from Illinois Wesleyan University, and is interested in Erv Wilson's combinatorial and graph theoretic approaches toward tuning spaces. He is currently pursuing instrument building, and wants to use Harry Partch's "Corporiality" as a unifying concept for both popular and spectral composition.

Paul Johnson

The Axial Chord — A Basis for 2.3.7.11 Harmony

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