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    Diahemitonic Tonality: A Tension–Release Quarter-Tonal Harmonic System

    Evolution of my Music:

    Mohajira and Rast Rotations in Ten-tone Scales

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    Mandala 10 was performed in the Tate Gallery London in 2011 as part of UK MicroFest organised by Don Bousted. It was performed in a workshop space out of concern for valuable paintings and relayed live via CCT to a concert audience in the main gallery.

    An Extended Interview with Greg Schiemer

    An Interview With Warren Burt

    Portrait of Juhani Nuovala by Maarit Kytöharju

    An Interview with Juhani Nuorvala

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    Review-Jon Catler: The Young Mountain of the East

    Photo of Cris Forster

    CD Review: Cris Forster

    Harry Partch: The Wayward

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    Picture of Clarence Barlow by Harald Fronzeck (©1996)

    Blue by sound: the microtonal legacy of composer and theorist Clarence Barlow

    A COUNT OF CONSTANT STRUCTURES – with 4 distinct superparticular 7 limit steps with sizes between 5/4 and 126/125 that span the 7 limit lattice

    Easley Blackwood Jr. 1933-2023

Norman Freund

Retired mechanical engineer (numerical analysis, stress analysis, structural integrity), now devote my time to music composition/studio-performance/studio-production/release. Roots in Jazz and Folk music, which by now morphed into electronic experimental music, with a keen interest in 12 Equal Division of the Octave and non-12 Tone tuning systems. Develop my own digital synthesisers in Max (Cycling'74) and merge this in with my analogue synthesisers as a hybrid approach. Enjoy getting inspiration from small seed ideas of things possibly commonly not related to music and making something musical out of them.

Norman Freund

Evolution of my Music:

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