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    Evolution of my Music:

    Mohajira and Rast Rotations in Ten-tone Scales

    Another Look at Wilson’s Keyboard Mapping System

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    Mandala 10 was performed in the Tate Gallery London in 2011 as part of UK MicroFest organised by Don Bousted. It was performed in a workshop space out of concern for valuable paintings and relayed live via CCT to a concert audience in the main gallery.

    An Extended Interview with Greg Schiemer

    An Interview With Warren Burt

    Portrait of Juhani Nuovala by Maarit Kytöharju

    An Interview with Juhani Nuorvala

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    Review-Jon Catler: The Young Mountain of the East

    Photo of Cris Forster

    CD Review: Cris Forster

    Harry Partch: The Wayward

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    Picture of Clarence Barlow by Harald Fronzeck (©1996)

    Blue by sound: the microtonal legacy of composer and theorist Clarence Barlow

    A COUNT OF CONSTANT STRUCTURES – with 4 distinct superparticular 7 limit steps with sizes between 5/4 and 126/125 that span the 7 limit lattice

    Easley Blackwood Jr. 1933-2023

MET-24: A Milder Extended Temperament

Margo Schulter·July 15, 2022
During late 2001-2002 it was my privilege to collaborate with George Secor on musical projects including his revisiting...
Articles
·2 Comments·34 mins read·1·709 views

Polytope

Daniel Corral·January 4, 2022
This article describes the compositional and performance practices involved in my 2018 piece Polytope. This microtonal multimedia piece is performed by 4 musicians playing Launchpad Pros in total darkness, with live feed video and electronic 4-channel sound.
Articles
·0 Comments·26 mins read·0·375 views

An Interview With Warren Burt

Kraig Grady·December 12, 2021
An Interview with Warren Burt discussing his extensive history with microtonality
Interviews
·0 Comments·18 mins read·0·434 views

Donald Bousted

Stephen Altoft·December 11, 2021
Composer- Film Maker and Member of Xenharmonikon’s Advisor Board By Stephen Altoft Donald Bousted was active in the...
ArticlesHomage
·0 Comments·1 min read·1·267 views

Small but important differences: Christopher Otto’s ‘rag′sma’

Ben Harper·November 5, 2021
In rag′sma, two pre-recorded string quartets start from the same place and slowly weave back and forth on these simple harmonies, with each step building from the previous note instead of from a common reference tone. One quartet inexorably rises while the other falls,
Reviews
·0 Comments·3 mins read·0·153 views

On The Passing of Barbara Hero

Kraig Grady·September 11, 2021
Barbara Hero left us on August 9, 2021 at the age of 96. She gave us a unique...
ArticlesHomage
·1 Comment·1 min read·2·139 views
Portrait of Juhani Nuovala by Maarit Kytöharju

An Interview with Juhani Nuorvala

Kraig Grady·September 3, 2021
KG: May I ask how you first became interested in microtones? JN: I never had that early experience...
Interviews
·1 Comment·12 mins read·0·452 views

The Symmetry of a Tonnetz, Un-transposable Harmonic Modes, and Modes of Synthesised Inversional Symmetry.

Dylan Crismani·February 24, 2021
In a letter to John Chalmers, written on April 26, 1975 Erv Wilson writes the following: “The basic...
Articles
·0 Comments·40 mins read·3·1426 views

The Axial Chord — A Basis for 2.3.7.11 Harmony

Paul Johnson·April 27, 2020
Introduction: In this paper I discuss the chord 32:33:42:44:56 as the basis for a new harmonic system, comparing...
Articles
·2 Comments·22 mins read·2·1712 views

A COUNT OF CONSTANT STRUCTURES – with 4 distinct superparticular 7 limit steps with sizes between 5/4 and 126/125 that span the 7 limit lattice

Praveen Venkataramana·July 20, 2019
If a 7-limit octave equivalent scale has four distinct step sizes, with ratios W, X, Y and Z,...
Articles
·0 Comments·26 mins read·2·698 views
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