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    Mandala 10 was performed in the Tate Gallery London in 2011 as part of UK MicroFest organised by Don Bousted. It was performed in a workshop space out of concern for valuable paintings and relayed live via CCT to a concert audience in the main gallery.

    An Extended Interview with Greg Schiemer

    Larry Polansky, Oct 16, 1954 – May 9, 2024 – An appreciation

    D-T major mode. Color version of Figure 3-2

    TriTriadic Scales with Seven Tones

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    Mandala 10 was performed in the Tate Gallery London in 2011 as part of UK MicroFest organised by Don Bousted. It was performed in a workshop space out of concern for valuable paintings and relayed live via CCT to a concert audience in the main gallery.

    An Extended Interview with Greg Schiemer

    An Interview With Warren Burt

    Portrait of Juhani Nuovala by Maarit Kytöharju

    An Interview with Juhani Nuorvala

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    Harry Partch: The Wayward

    CD Review-The First 50 Years

    Parallaxis Forma cover on another timbre

    Translucent Harmonies: Catherine Lamb, Kristofer Svensson

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    Picture of Clarence Barlow by Harald Fronzeck (©1996)

    Blue by sound: the microtonal legacy of composer and theorist Clarence Barlow

    A COUNT OF CONSTANT STRUCTURES – with 4 distinct superparticular 7 limit steps with sizes between 5/4 and 126/125 that span the 7 limit lattice

    Easley Blackwood Jr. 1933-2023

Strings (1), Mostly Plucked

Ben Harper·September 19, 2023
Last month I got to hear Julia Reidy play live for the first time in a while (for me, not her). Her...
Reviews
·0 Comments·4 mins read·0·86 views

Concert Review: Gamelan Merdu Kumala Perform a Reimagined Score to the 1926 Film “The Adventures of Prince Achmed”

Kenneth Cotich·May 28, 2023
Review of the MicroFest 2023 presentation of Gamelan Merdu Kumala performing a new score to the 1926 film The Adventures of Prince Achmed.
Reviews
·0 Comments·5 mins read·0·88 views

Easley Blackwood Jr. 1933-2023

Stephen Weigel·February 7, 2023
I learned of Easley Blackwood’s passing while studying his microtonal music, and it was completely shocking. There was...
ArticlesHomage
·0 Comments·1 min read·2·289 views

Greg Davis: New Primes

Ben Harper·September 19, 2022
Review originally appeared in ‘Boring Like A Drill’ by Ben Harper. There’s something pleasing and aspirational in the...
Reviews
·0 Comments·2 mins read·0·148 views

MET-24: A Milder Extended Temperament

Margo Schulter·July 15, 2022
During late 2001-2002 it was my privilege to collaborate with George Secor on musical projects including his revisiting...
Articles
·2 Comments·34 mins read·1·662 views

Polytope

Daniel Corral·January 4, 2022
This article describes the compositional and performance practices involved in my 2018 piece Polytope. This microtonal multimedia piece is performed by 4 musicians playing Launchpad Pros in total darkness, with live feed video and electronic 4-channel sound.
Articles
·0 Comments·26 mins read·0·363 views

An Interview With Warren Burt

Kraig Grady·December 12, 2021
An Interview with Warren Burt discussing his extensive history with microtonality
Interviews
·0 Comments·18 mins read·0·420 views

Donald Bousted

Stephen Altoft·December 11, 2021
Composer- Film Maker and Member of Xenharmonikon’s Advisor Board By Stephen Altoft Donald Bousted was active in the...
ArticlesHomage
·0 Comments·1 min read·1·262 views

Small but important differences: Christopher Otto’s ‘rag′sma’

Ben Harper·November 5, 2021
In rag′sma, two pre-recorded string quartets start from the same place and slowly weave back and forth on these simple harmonies, with each step building from the previous note instead of from a common reference tone. One quartet inexorably rises while the other falls,
Reviews
·0 Comments·3 mins read·0·147 views

On The Passing of Barbara Hero

Kraig Grady·September 11, 2021
Barbara Hero left us on August 9, 2021 at the age of 96. She gave us a unique...
ArticlesHomage
·1 Comment·1 min read·2·139 views
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